NEW ARRIVALS
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2026.6.17
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“Excitement Wherever I Am”: The Kind of VTuber Natsuiro Matsuri is Aiming to Be
2026.6.4
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The First In-Person Live Concert in Their Fifth Year: What holoX Members Took Away from Their “First MISSION”
2026.5.23
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Creating the Most Enjoyable Fan Experiences: The Passion Behind the hololive SUPER EXPO BANDAI Booths
2026.5.21
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How the Lawson x hololive Collaboration Led to Surprised Reactions at EXPO: Interview with the Lawson Project Lead
2026.5.15
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hololive SUPER EXPO 2026 Attendee Interviews: How hololive Has Become Part of Fans’ Everyday Lives and the Passion of the Community
2026.5.7
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Blending the Virtual Into the Physical: How are Life-Size Figures Created at hololive production?
2026.4.23
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Curating Fan Experiences with COVER’s CTO Office Junior Engineers: “I’m Glad to Support My Oshi”
2026.4.9
RANKING
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- Special
“Excitement Wherever I Am”: The Kind of VTuber Natsuiro Matsuri is Aiming to Be
2026.06.04
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- Special
The First In-Person Live Concert in Their Fifth Year: What holoX Members Took Away from Their “First MISSION”
2026.05.23
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- Business
Sharing the Same Joy Worldwide: What Does Localization Look Like at hololive production?
2025.11.27
PICK UP
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- Special
Bringing Talents’ Emotions to Life Through Music: AZKi on Creating Her EPs and Solo Live
COVER’s music business brings the creativity of its talents to life and delivers it to the hearts of many people through music releases and live performances. COVER now has a diverse back catalogue from distinctive songs that value the bond talents have with fans and the context surrounding each talent, to songs that extend beyond such fandom and gain recognition on a global scale. Along with the expansion of hololive production, the number of songs managed by COVER has continued to increase, already exceeding 1000 (as of the end of March 2026). There has also been a growing number of cases where talents release albums under their own names or hold solo live performances. On “COVERedge,” we are focusing on the musical journey of AZKi, who released the EPs Re:Start and Re:Birth in November 2025 and held her solo live “Departure.” After working with INoNaKa Music (*) and Victor Entertainment, AZKi returned to hololive production in 2025, marking a new start to her music activities. In this first article, AZKi gives her perspective on the production of her albums and her solo live.
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- Corporate
Building Our Future Together: An Interview with COVER CEO Motoaki Tanigo
COVERedge is an owned media platform focused on sharing “COVER in its truest form.” This time, we bring you an interview with CEO Motoaki Tanigo for everyone who supports hololive production. We spoke with him about what he has witnessed thus far, the present, and the future he envisions.
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CATEGORIES
特集
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The First In-Person Live Concert in Their Fifth Year: What holoX Members Took Away from Their “First MISSION”
2026.5.23
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Creating the Most Enjoyable Fan Experiences: The Passion Behind the hololive SUPER EXPO BANDAI Booths
2026.5.21
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How the Lawson x hololive Collaboration Led to Surprised Reactions at EXPO: Interview with the Lawson Project Lead
2026.5.15
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hololive SUPER EXPO 2026 Attendee Interviews: How hololive Has Become Part of Fans’ Everyday Lives and the Passion of the Community
2026.5.7